Su Han spent about half a month on the set of "Strangers from Hell."
During these two weeks, every scene he acted in was exceptionally well-performed.
Each time he acted, he caused a stir of fear among the film crew.
Everyone became tense and flustered.
Normally, actors are criticized by the director for acting too fake or not being invested enough.
But Su Han was different.
Su Han acted too realistically, too terrifyingly, making people fearful, nervous, and sending their adrenaline soaring.
The crew members were almost always startled by Su Han's acting.
The men got goosebumps, while the women huddled together.
The previous rumors about Su Han's incredible acting were absolutely true.
It was genuinely terrifying.
In half a month, he finished all his scenes for "Strangers from Hell."
After this drama concluded,
Su Han continued to join new projects.
This time, he joined the crew for "Burning."
"Burning" was a movie, and its filming duration was quite manageable. He could complete all his scenes within a week.
This was because he was playing the second male lead, a character with a mysterious identity.
The character's name was Ben.
Ben was a young, wealthy playboy.
He was rich, handsome, and mature.
He was a representative figure of capitalists.
However, he had a peculiar habit: he enjoyed burning plastic greenhouses.
He would do so every so often.
The plastic greenhouses he burned were ones that no one cared about.
Although Ben burned plastic greenhouses in the film, these plastic greenhouses actually carried a metaphorical meaning.
The plastic greenhouses were a metaphor for people without social value, like the female lead, Huimei.
Such people were akin to abandoned plastic sheds.
Ben's so-called burning of sheds was a purge of people he deemed worthless.
This movie was quite worth watching, but understanding it wasn't easy; one would need to consult external resources for a comprehensive interpretation.
During his filming period in Korea, Su Han had the chance to interact with different actors and gained new insights.
Both films were completed one after another.
Next, Su Han returned to China.
Upon his return, Yang Mi immediately hosted a welcoming banquet for him, attending to his every need.
While attending to him, she browsed the internet for information and articles about Su Han's overseas filming.
All the news reports praised Su Han's exceptional acting, especially his portrayal of perverts, claiming he had terrified the Korean audience, leaving them in a state of panic.
In more extreme reports, some Koreans were said to have cried on set from being scared by Su Han.
Whatever the case, the accounts were highly exaggerated.
Seeing this information, Yang Mi became very curious about Su Han's filming experiences abroad.
"I heard the two movies you filmed in Korea are quite substantial."
"Especially 'Burning,' I heard it's an adaptation of a Haruki Murakami novel, right?"
"Yes. It's an adaptation of a Haruki Murakami novel. The film's theme is quite good. You can watch it when it's released."
"However, this movie is more on the art-house side, feeling a bit niche."
"As for 'Strangers from Hell,' that drama is more like that."
"Like what?"
"It's essentially a dual male lead drama."
"Whoa? That exciting?"
Hearing this, Yang Mi's eyes lit up, filled with anticipation.
She was a fujoshi, and she absolutely loved dual male lead stories.
Therefore, upon hearing Su Han mention dual male leads, she couldn't contain her excitement and frenzy, wishing she could find the drama's resources immediately.
"No rush, no rush. Take your time!"
"The drama hasn't even finished editing, and you're already eager to watch it."
Seeing Yang Mi so excited, Su Han couldn't help but tease her.
Yang Mi pouted, "Tch! I just really want to see you play a pervert!"
"But honestly, after seeing your portrayal of Hannibal last time, I still can't forget it. It felt so compelling."
"I absolutely love seeing you play perverts, it's so impactful."
"If possible, please play more perverts. I really enjoy watching them."
Su Han: ???